Geometry

It is made up of a central Sphere whose center coincides with the intersection of six spheres built around it. Continuing with this rule and following a hexagonal symmetry you can obtain the completion of the image. In total, the circles are 19, with the centers arranged on 9 parallel horizontal lines. The same circles are also viewable on 7 floors arranged in height with the highest represented by the center of the Flower and the others placed in the deep. If we count all the circles, even those that are only partially represented, the count reaches a total of 30 Full Circles. In this construction, you can see the symbol of "Vesica Piscis", which is formed by the union of two circles with the same diameter, whose centers are each on the circumference of the opposite circle. There is also a third circle of the same size which has the center coincident with the intersection of the first two ones, which forms the symbol of the "Tripod of Life." The frame is also a part of the image: it consists of 60 triangles with curved edges, like forming sails, and these rays are the extension of the 15 main circles.

History

It is one of the ancient symbols shared by different and distant cultures, through different times and places. Despite these differences, the symbol has never been radically altered and we can trace its origins back to the Assire and Egyptian civilizations. The best known is near the temple of Abydos, in one of the oldest cities of Upper Egypt, which preserves the original shapes and proportions. Flower of Life is also present throughout the rest of the entire world: from China in the "Forbidden City", in Japan represented in various temples, in India in the "Golden Temple" and also in Italy. This representation has been traced on Etruscan artifacts of the seventh century, and on more recent buildings such as the Church of San Clemente in Rome or the Church of San Fermo Minore in Verona.

Geometry

The graphic shapes of the Tree of Life are many and heterogeneous, but the stylization of each type of representation leads, at its maximum simplification, to the formation of two triangles with center-oriented tips. The major bases of these triangles are one in the bottom and one in the top, almost like forming an hourglass.

History

It is a very ancient symbol, Sharing its origins with the symbol of "Flower of Life", and it is spread all over the world through different cultures and eras. We can trace this representation in the Cabala and in the Celtic and Gaelic civilizations and cultures, in which it was called Crann Bethadh. The Tree of Life is also present in Sumerian cultures where it was a symbol of divine Creation in Inanna's myth. She is who planted the sacred Huluppu tree. We can go on by tracing it in America in the ancient Cherokee traditions. The Tree of Life has been handed down from different cultures in different places but it transports the same universal Creation values.

Geometry

Formed by the representation of 13 spheres whose centers are joined and linked by precise lines. The encounter of these Lines makes possible the three-dimensional representation of all 5 "Perfect Solids" or "Plato Solids": the cube, tetrahedron, icosahedron, dodecahedron, and octahedron. By concentrating on the structure, they become visible following the edges that start from the centers of the circumferences. In addition, there is a double representation for each of the Solids: a larger one from the 6 outer circumferences and a smaller scale one with the most internal circumferences.

History

An ancient symbol that founders its origins in the symbol of the "Fruit of Life" and it is connected to the meaning of symbol of "Tree of Life" in which the Metatron Archangel and his counterpart, the Sandalphon Archangel, are holding the symbol of the Tree respectively from the top and from the base. Its ancient origins start from Jewish oral traditions and the first transcripts of it appeared in the book of Zohar (Book of Splendor) describing Him as the Angel of the Lord. In Christian tradition, the same figure can be identified in the Old Testament as the Archangel Michael and with the same meanings are also present in some aspects of Islam tradition. It is a symbol of conjunction between the Man and the Divine, helping all those who are willing to assume the responsibility for their own actions in the realization and attainment of their “Life Task”.

Geometry

It is drawn from a circumference with a sinuous line inside. This line is the partial representation of two tangent inscribed circles. At the center of this two inner sphere, two other small spheres are built. If you mirror two Yin Yang one over the other one, in the center you will form an 8. The color of the two Halves is also integrant part of the symbol: the left one is clear part with its right counterpart which is dark. Finally, the small sphere at the top is clear and it is opposed to the small sphere at the bottom which is dark.

History

Symbol dating back to the ancient Chinese philosophy, probably born from the observation of the day and night cycle. Two moments in contrast to each other, but fundamental in the same measure for the passing of the day and of the Life. It is the graphic representation of the perfect equilibrium that exists between opposing forces, in everything that is material and spiritual.

Geometry

Symbol constructed from the central intersection of numerous arc, developed clockwise and anticlockwise. All present curves have the same radius. There may also be present a geometric shaped frame with a rectangle built on each side forming a “T”. This starting composition can also be integrated with a series of concentric circumferences that have their radius equal to the distance between the center of the symbol and the intersections of the arches.

History

They are symbols of precise geometries that have long been used in radiesthesia and radionic disciplines. They have always had values of symbol and graphics emitters, catalysts for concentration and positivity. Aesthetically harmonious and geometrics they are dynamic symbols that have intense, dynamic and positive frequency inside their rhythm.

Geometry

It is composed of 9 triangles inscribed in a circle whose center is clearly represented. Five triangles are oriented downward and the remaining four upwards. It is often represented with one or two crowns of stylized Lotus petals, respectively formed by eight and sixteen petals. The nine triangles form another 43 smaller triangles.

History

It belongs to the category of YANTRA, a Sanskrit word that has the meaning of "medium", "instrument to favor it", which are all inserted in a wider category: the Mandala. We can trace the oldest Sri Yantra in southern India inside the Vidyashankara temple in Sringeri in the state of Karnataka, dated about 2500 years. It is still largely used today in India, China and Tibet as a symbol of good fortune: it promotes abundance, helps to circumvent and overcome obstacles in achieving desires, is a catalyst for peace and harmony and also promotes material and spiritual growth.

Geometry

Composed by two main elements, the circle and The Tao, Ankh has a relatively simple geometric construction, but its own proportions are very precise, and each dimension is created in relation to the others ones. As Giovanni Grasso writes in his study, "The Power Of the Symbol", the whole Ankh figure is inscribed in a perfect Rectangle with Golden Proportion. The horizontal arm of the Key is drawn at a precise height: it is the base of an Equilateral triangle with the main vertex oriented downwards and coincident with the lower edge of the golden rectangle. Above this horizontal axis of the Ankh, we finally find the circular part that conforms its diameter to be completely inscribed in the same rectangle. In this way the circumference becomes lightly elliptical and not perfectly rounded. Another very important thing is the thickness of the Two "arms" of the Tao: it isn't the same throughout their length but becomes bigger by moving away from the center of the Key, which is located at the meeting point between the circumference and The T.

History

The oldest traces of representations or Artifacts with the shape of the Ankh date back to predynastic Egypt, about 5170 years ago. We find it depicted in many Egyptian tombs, not only Pharaohs's ones. Ankh was given in gift by different gods to the with the meaning of Eternal Life. In many scriptures and painted representations, this symbol was also used as a real amulet and instrument, held in the hand with the fingers inside the circle. His traces go through history even in the Roman culture where he was represented and used as a symbol of Fertility. It remains a symbol known and widely spread today in many Modern and diverse cultures. We also know about an ancient practical use: Ankh was crafted with a mirror in the upper circle, and the most famous one was found in Tutankhamon's tomb. In the Egyptian culture, life on earth was considered the Mirror of the World Beyond, and the mirror itself was considered an object capable of hiding mystical meanings. For example during the Lantern Festival in Honor of Neith goddess, oil lanterns were lit up all night creating the mirror image of the Heavens on Earth, by reflecting the stars of the sky.

LINK: https://www.geometriasacra.com/en/sacred-geometry.php