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The Dracontia, the original masons, built temples that were sacred to the Dragon because it was the symbol of the sun, which, in its turn was the symbol of the highest god, El. Besides the surname of serpents they were called the builders, the architects; for the immense grandeur of their temples and monuments were such, that even the pulverized remains of them stagger the mathematical calculations of our modern engineers.
The dragon/serpent/crocodile was the most appropriate beast pantheists could have devised for their messianic kingship, reflecting allegiance to Satan and seraphim angels. The New Testament In Today’s English notes the dragon is thought by modernists to be an imaginary beast, understood to be like a huge lizard, which is also called a serpent, appearing in the Bible as the devil, 31 thereby also connecting Dragon kingships back to their sponsor, Satan. The antediluvian dragon/serpent was then the majestic animal of kingship before Eden. And after that, it was employed as an allegory for the kingship sponsored by seraphim angels, which was once more lowered from heaven to earth, both before and after the flood, to the descendants and followers of Cain and the seraphim- like Nephilim, by serpent- like angels.
Dragon mythology has worldwide appeal. It permeates all cultures. All cultures have a name for dragon , even though the animal cannot prove itself to have existed. Dragon- like monsters unexplainably appear in remote cultures such as the Hopi, Huron, and Zuni. Mythologists Calvert Watkins and Joseph Fontenrose view the enduring patterns of dragon mythology as the fundamental myth plot of Western civilization, the story of stories, while Fontenrose further advocates that dragon mythology is an expression of an essential, cosmic dualism (polytheism).
Drakon was the Greek word for dragon, meaning “serpent,” just as the ancient Sumerian words Usumgal and Mus- Usumgal translate as “serpent” and are metaphors in praise of gods and kings. The ancient, holy crocodile was known as Draco, the mighty dragon of kingship, whence the title “Pendragon” (head dragon) was contrived in the Celtic British kingdoms, 33 and from whence the Roman word for dragon, draco , derived. 34 Draco is Latin for “dragon” and derived from the Greek word draconia , which was originally described in antiquity to be a serpent- like creature with wings. Furthermore, draco derived from the original drakon , or draconta , which alternatively translates as “to watch” 35 in the spirit of infamous seraphim watchers , the angels that bore wings. The angelic posterity, the Nephilim/Anunnaki were remembered in antiquity as watchers , rulers, and kings and all appeared like serpents/ dragons. Moreover, variant forms of reptile serpents with wings likely thrived before Eden, as well, suggested by the fact that numerous legends recorded wings were removed from the serpent, along with other body parts.
The dragon, too, was an ancient symbol for power and heroes 36 adopted by the antediluvian and postdiluvian kingships. Jonathan Evans notes dragons were symbolic wonders of the world, and Tolkien describes them as part of the perilous realm of faerie: fairy tales, fantasy literature, and imaginative fiction. 37 Our literature and entertainment overflows with covert allegories cloaking intrigue. Seemingly, the dragon was the key metaphor for patriarchal bloodlines (male), while the fairy represented the matriarchal bloodline (female).
According to René Guénon, the swastika represents the north pole, and the rotational movement around a centre or immutable axis (axis mundi), and only secondly it represents the Sun as a reflected function of the north pole. As such it is a symbol of life, of the vivifying role of the supreme principle of the universe, the absolute God, in relation to the cosmic order. It represents the activity (the Hellenic Logos, the Hindu Om, the Chinese Taiyi, "Great One") of the principle of the universe in the formation of the world. According to Guénon, the swastika in its polar value has the same meaning of the yin and yang symbol of the Chinese tradition, and of other traditional symbols of the working of the universe, including the letters Γ (gamma) and G, symbolizing the Great Architect of the Universe of Freemasonic thought.
According to the scholar Reza Assasi, the swastika represents the north ecliptic north pole centred in ζ Draconis, with the constellation Draco as one of its beams. He argues that this symbol was later attested as the four-horse chariot of Mithra in ancient Iranian culture. They believed the cosmos was pulled by four heavenly horses who revolved around a fixed centre in a clockwise direction. He suggests that this notion later flourished in Roman Mithraism, as the symbol appears in Mithraic iconography and astronomical representations.
According to the Russian archaeologist Gennady Zdanovich, who studied some of the oldest examples of the symbol in Sintashta culture, the swastika symbolizes the universe, representing the spinning constellations of the celestial north pole centred in α Ursae Minoris, specifically the Little and Big Dipper (or Chariots), or Ursa Minor and Ursa Major. Likewise, according to René Guénon the swastika is drawn by visualising the Big Dipper/Great Bear in the four phases of revolution around the pole star.
Akkadian Quingu. Sumerian: KIN-GU = "ruler over the Earth (or regions). Logo: the eagle. Princely root stock of the Gina'abul. At war with the Ušumgal. Three types: whites [Kingú-Babbar, grand royals; Te (Aquila)], reds [warriors-cleaners; Ušu (Draco)], greens [the people, also warriors]. Most Kingú possess a mark on the forehead, like a third eye.
The (EL)der Green Kingú (HEYOKA)/(SIRIUS/ORION):
These are the worker class, obedient to both the Red Dracos and the Sirians. They are considered a ‘lower caste’ and simply do as they are told. They are not trained warriors like the Red, but they are still territorial, which is a common Reptilian trait, and would get hostile if provoked, and definitely if they were ordered to."
The Wurm Dragon Type are generally described as serpents with coils that can wrap around hills, bodies that can be mistaken for solid earth, or similarly fabulous descriptions of enormity. Compared to other Dragon Types, the attribution of supernatural powers afford to Wurms is limited, but it is common for wurms to have the ability to exhale noxious fumes or fire and to move with incredible speed. 
Wurms are usually found in the Europe, and unlike the other Dragon Types that have redeeming qualities, Wurms are always destructive and malicious towards people.  They can be found in swamps, marshes, and other dank or wet places, and sometimes they take up home in a lake or even a well.
Wurms have thick, serpentine bodies with a head shaped like a horse or a crocodile. Some have horns, dangerously large fangs, and bright, wide eyes.  They're commonly found through the United Kingdom, France, and other parts of Western Europe.
Workers and warriors. These are the Kingú who take part in the battles on Dukù at the end of Book 1. Greenish skin (a little lighter than that of the Anunna).
Symbolism of the Color Green
The color green lies halfway between the classification of 'warm' and 'cool' colors.  In many cultures, green is considered a mystic color because it is a combination of yellow (the earth) and blue (the heavens), so green can be seen as the fruit of their union.  Green symbolizes life and death because it is found in the newness of life in the Spring and in putrefaction after death. [1,5] In Medieval Europe, green became the color of criminals  and Satan.  It was also considered unlucky to wear green.  In many traditions, green has had important implications with fertility and rebirth.  For its connection with plant life, green has strong associations with growth, awakenings,  and abundance.  Prominent in the springtime, green symbolizes hope in immortality, of things beyond the cyclical seasons.  Green envelops the negative aspects of newness, such as naivety, immaturity, and inexperience, even unripe foods.  Ancient Egyptians feared cats with green eyes because of the color's relationship with superhuman power.  In the Islamic tradition, green is the most important color. Mohammed's green cloak symbolized paradise and spiritual refreshment,  and green symbolizes perfect faith.  That is why, in India, the color green is associated with Islam specifically.  For the Irish, green has been associated with the nation; it can be specific to Catholic Irish traditions. 
In Japan, green is a symbol of life  and the spring.  In China, green represents the spring.  One of the Chinese Animals of the Four Directions is the Green Dragon, representing the power of the East,  whose element is wood.  In other parts of the East, green symbolizes health, peace, and eternity.  In Western Europe, green represents the spring and money.  Feng Shui utilizes green for its nurturing, balancing, healing, and growing energies. Green is associated with the element wood and is a part of the passive Yin aspect.  Modern psychology utilizes green for mental and physical relaxation.  Green is proven to help with anxiety and depression.  In Jungian psychology, green symbolizes the sensation of immediate, tangible objects. 
The Naga (Asiatic Negro):
Naga means “snake,” and the Nagas are a vast class of powerful snake spirits featured in Hindu, Buddhist, and Jain mythology and beloved by independent practitioners, too. They are pre-Hindu, tribal spirits renowned for their beauty, wisdom, and magical powers. The category Naga encompasses a vast variety of serpent spirits. Dragons may be categorized among the Nagas. Nagas live underwater (oceans, lakes, wells, springs, rivers) and underground, especially in subterranean caves converted into magnificent jeweled palaces. Termite mounds may mark the entrance to a Naga’s lair. Some Nagas live within trees or beneath them. Nagas also possess their own realm, the subterranean metropolis, Bhogavati.
These names all have similar meanings such as “the burning ones, burning spirits, fiery angels or burning angels.” The meaning of the name Seraph is also synonymous, with serpent and seraphim being the plural for serpents. They are the serpents who bit the children of Israel in the wilderness. Doctors and Scholars of the Jewish Church such as Rabbi Bechai had said this about the serpent who tempts Eve in Genesis (Gen. iii. 14); “This is the secret (or mystery) of the holy language, that a serpent is called saraph, as an angel is called saraph;” and ” hence the Scriptures called serpents seraphim (Numb. xxi. 6—8), because they were the offspring of this old saraph.”
These burning angels who are also known as serpents, are also mentioned as celestial beings in the Book of Enoch and the Book of Revelation. They are the fiery angels burning before the throne, which are the seven Spirits of God as spoken of in Revelation 4:5 – “And out of the throne proceeded lightnings and thunderings and voices: and there were seven lamps of fire burning before the throne, which are the seven Spirits of God.”
Symbolism of the Color Red
Red has a rich, visual spectrum, so it has a complex and intricate symbolic meaning.  Red symbolizes everything from passion, love, and sex to blood, wounds, death, and fertility. It can even represent anger, aggression, danger, warning, and protection.
Red is the color of blood and one of the primary colors of fire.  Jung believed that this is why red is linked to surging, tearing emotions like anger and love.  Other associations include the sun, masculinity, passion, energy, and war.  The connection with life and warmth derive from red's blood and fire,  while its association with war and death come from red's connection to spilled blood, menstruation, and the blood of the placenta after giving birth. [4,7]
In Paleolithic times, red ochre was mined and ground into powder. Anthropologists believe that people imbued this powder with life-giving powers. 
To the Celtics, red symbolized death and the afterlife.  The ancient Anglo-Saxons saw red as a protective color that could be used to ward off evil.  Warriors covered their weapons with red paint to endow them with magical powers, and red paint and markings afford trees and animals protection. 
In China, red is regarded as an auspicious color  because red symbolizes love and fertility.  Traditional wedding gowns and veils in China are red.  Red eggs are offered to a couple when a child is born.  Red is often used in festivals because it represents good luck and celebration. [5,6] Among the five elements, red is associated with the element of Fire and the direction of South.  The poetical expression of 'the mark of the vermillion pencil' refers to documents written with red ink by the Emperor. 
Other societies associate red with love and fertility. A practice that still remains in Greece, Albania, and Armenia is that of the flammeum, a veil that brides wrap around themselves as a symbol of fertility and protection.  This practice can be traced back to the times of Ancient Rome, although some sources report that the flammeum actually was colored an orange-yellow, the color of a candle flame. 
In Ancient Egypt, red symbolized the destructive god Set.  The Ancient Egyptians used an expression roughly translated as 'making red' to mean murdering someone, and an evil act or plot would be called 'red affairs.'  Scribes would use a special red ink when writing words of warning or ill-omen.  Similarly, in the Hebrew tradition, red symbolized both the sin and the sacrifice for the sin. 
In Western Europe, red indicates or highlights danger.  Red also relates anger and aggression, from its association with Mars, the Roman god of War.  Modern western usage of red also includes high energy, high speed,  low-levels of fuel, and high levels of danger ('red alert').
For the Apache red symbolized victory and success, and it was also the color of the East. 
In Feng Shui, red is a color of the element Fire, and it is of the active Yang aspect. It promotes money and good luck and symbolizes respect and vitality. 
Red has a strong symbolic nature owing to its natural manifestation in blood and fire. Depending on the culture and time period, red may represent anger, aggression, high speed, danger, love, purity, joy, celebration, fertility, warmth, rebirth, death, wounds, or protection.
In the pseudo-Dionysian hierarchy of angels, the highest and closest angels to God. The name “seraphim” is thought to be derived from the Hebrew verb saraf, which means to “burn,” “incinerate,” or “destroy,” and probably refers to the ability of seraphim to destroy by burning.
The seraphim may have evolved from the uraeus, the gold serpent (specifically a cobra) worn by Egyptian pharaohs on their foreheads. Uraei without wings and with two or four wings were depicted in iconography throughout the Near East. They protected by spitting their poison, or fire.
The seraphim who became angels in lore perhaps originally had serpent forms with human characteristics. In the Hebrew Bible, the term saraf is applied to fiery serpents. Numbers 21:6–8 refers to fiery serpents sent by the Lord to bite and kill sinning Israelites. After Moses prays for forgiveness, he is instructed to set a fiery serpent atop a pole. Whoever was bitten by it, when he looked upon it, would live.
Moses makes a bronze serpent. Deuteronomy 8:15 refers to the “fiery serpents” and scorpions in the land of Egypt. The prophet ISAIAH described more humanlike seraphim in a vision (Isaiah 6:2–3). He sees the Lord on his throne with six-winged seraphim standing above him.
Islamic theology absorbed and modified the Djinn; some became beautiful and good-natured. According to the Muslim faith, humans are created from clay and water, and the essence of angels is light. Djinn were created on the day of creation from the smokeless fire, or the essential fire. They are invisible to most people except under certain conditions; however, dogs and donkeys are able to see them.
They were on the Earth before human beings, but it is unknown how long. By some accounts, they were created 2,000 years before Adam and Eve and are equal to angels in stature. Their ruler, Iblis(also called Shaytan), refused to worship Adam and so was cast out of heaven, along with his followers. Iblis became the equivalent of the Devil, and the followers all became Demons. Iblis’ throne is in the sea.
As do humans, Djinn have free will and are able to understand good and evil. The Qur’an states that the purpose of their creation is the same as that of humans, which is to worship God. They are responsible for their actions and will be judged at the Last Judgment. It is said that Hell will be filled with Djinn and humans together. Conflicting stories about the Djinn abound, similar to conflicting stories about Angels and Demons.
SERAPHIM (The Kingú, Djinn, Satan (Iblis/Ahriman), Horus, Ušumgal):
a. The Hebrew word SARAPH, plural SERAPHIM, denotes a FIERY SERPENT/DRAGON (from a root meaning "to burn"). In the context of angelic beings, it is used synonymously in the Hebrew Scriptures with the word NACHASH, denoting GLORIOUS/SHINING SERPENT/DRAGON (from an assumed root meaning "to be bright"). The proofs of this claim (pointed out to me by REW) can be found more-or-less in [CB Appendix 19]: saraph is used of flying winged serpents in Is. 6:1-7, and so may nachash is its usage; Moses used the two words interchangably in Num. 21:8 (saraph) and Num. 21:9 (nachash), both describing the same serpent of brass; and Satan is a Nachash in Gen. 3:1, and a comparison of Is. 6:1-7 (the Seraphim hover over the Throne) with Ezek. 28:14,16 (he covers the Throne) establishes that Satan is an angelic Saraph. Much more on Satan below. Incidentically, the phrase "beasts of the field" in Gen. 3:1 is literally "living creatures of the field": it is a consequence of the descriptions of the various ranks of Cherubim that the basic kinds of land creatures were modeled after these angelic ranks; the Seraphim are the models for the reptilian and amphibian orders, especially including the great dinosaurs; and man was modeled after the Son Himself as the Logos or Ancient of Days; and so with biology, as with ceremonial religion, the earthly is patterned after the heavenly (Ex. 25:40, Heb. 8:5 9:23). We also note: Satan appeared not in the Garden as a snake, but in his full Saraphic glory; see [CB Appendix 19] for full discussion.
b. Basic details about the Seraphim from Is. 6:1-7:
Location: ABOVE/OVER the Throne, a canopy over the Head of the Son. This indicates that the Seraphim have the highest position of all cherubic and angelic ranks. Also see C.2.
Description: Each Saraph has ONE FACE and SIX WINGS with the appearance of FIERY DRAGONS/SERPENTS. They have mobility (see also c. below). The number of Seraphim is unspecified.
Work: Guard/overwatch the purity of doctrine for Israel and her Gentiles, act as priests in this regard. They lead in the praise of God and sing "Holy, Holy, Holy is the LORD of hosts; His glory is the fulness of the whole earth."
Speech: Speak to men.
c. Justification for viewing the Seraphim as a rank of Cherubim.
i. Satan is a Nachash (Gen. 3:1) who hovers over the Throne (Ezek. 28:14,16), and so is a Saraph (see a. above), and yet is called a Cherub (Ezek. 28:14,16). Indeed, Satan is above all appointed as the covering Cherub, for the Hebrew calls him "THE ANOINTED CHERUB (KERUB) WHO COVERS", indicating Satan is the CHIEF SARAPH, chief over those charged with guarding/gripping the truth (see "Work" above): this should humble us and cause us to fear. Also note how the context of Ezek. 28:14,16 connects Satan with both "brilliance" (v. 17, cf nachash) and "fire" (vv. 14,16, c saraph), as does also II Cor. 11:14 ("angel of light" = "glorious angel"). Note that "mountain" in Ezek. 28:14,16 is really a mistranslation: literally, Satan was set in/on the holy height of God, i.e. he was set to hover over the Throne in Heaven. Also, Satan is mobile (Ezek. 28:14), as are the Seraphim; see also Is. 14:13-4. Finally, note Satan was wiser than any living creature of the field, and presumably, than any of their heavenly models (= various cherubic ranks); i.e. Satan was the wisest of all created beings, and such wisdom could only be in keeping with his position as the Chief Saraph in charge of overseeing the keeping of revealed truth.
ii. The Seraphim, in their covering the Throne overhead and guarding the truth, fit perfectly the notion of GRiPPers or KeRuBim.
My bloodline is called Ptah Taal (Paa Tal) - which means 11th dimensional or simply Bird Tribe.
Lucifer’s parents are the “Aku,” which are “The Ancient Ones”—the Guardian Race, the Bird tribe. However, the “Ancient Ones” are not the same Bird tribe as the ones that rebelled, and one of the symbols of the Ancients Ones, as mentioned earlier, is the Eagle.
The Ancient Ones as a Reptilian Race, black-skinned, and looking like something between a Reptilian and a humanoid. This was correct, but most of the races have evolved since the beginning of time in this Universe, and something we learned in school was that the birds come from the dinosaurs. I would say that this can be applied when we’re talking about the Ancient Ones, as well. I am not saying that they look like eagles, but they are affiliated in some ways.
(Grand Dragons, The Nectar (EL)der Gods (HEYOKA)/(SIRIUS/ORION)):
"Grand Dragons," later Sumerian term for their gods and sovereigns; descended from Kingú-Babbar; creators of the Annuna and other races. The Ušumgal Council of Nalulkára were survivors of the Great War.
Her attribute was the group of seven stars in the Great Bear Constellation. Helena Blavatsky in her Isis Unveiled observes that the origin of the name "Typhon" is closely connected with the forces of nature: the violent, the unruly and the untamed. For instance, floods caused by the river Nile were referred to by the ancient Egyptians as "Typhon," while the mounds built along the river to prevent inundations were called "Typhonian" or Taphos. In Egyptian art, Typhon is depicted in the form of an ass, crocodile, or fish. Massey, who actually invented the term "Typhonian Tradition," writes in his Lectures that this tradition also derives from the god Sevekh, a deity with a crocodile's head, closely associated with the dragon symbolism. According to him, the name "Sevekh" means "the sevenfold" - hence the seven heads of the dragon in the biblical Revelation, while the dragon itself represents the eighth head. His theories on the origin of the Draconian Tradition combine the lore of many cultures, including ancient Egypt, Babylon, and Hebrew legends. For instance, he identifies Typhon with Tiamat, the primordial female principle out of which the whole universe emerged and which underlies the cycles of nature. He also associates these personifications of the dark, primal aspects of nature with Leviathan and Behemoth, described in his writings as "the primal pair that was first created in the Garden of Eden," and with the Great Bear Constellation. He observes that in
Mason, Asenath. Draconian Ritual Book (pp. 21-22). Kindle Edition.
Egypt the Great Bear was called Typhon, or Mother of Revolutions, and the dragon with seven heads was assigned to her son, Sevekh-Kronus, or Saturn. Thus, he believes that the seven-headed dragon or serpent was originally female, but with the appearance of Sevekh, the Sevenfold Serpent, it came to be identified as male. Also, such authors as Massey and Blavatsky often emphasize the original messianic role of the Serpent.
Mason, Asenath. Draconian Ritual Book (p. 22). Kindle Edition.
They are also often depicted with seven heads, and the number seven has a significant esoteric meaning in Draconian mysteries. The seven heads of the Dragon are identified with the seven planets from traditional astrology, the seven lower Sephiroth/Qliphoth on the Qabalistic Tree, seven stars in the Great Bear Constellation, seven power zones, or chakras, through which Kundalini ascends to unite with cosmic consciousness, and so on. The powers of the seven lower Sephiroth are believed to culminate in Daath, which is the gateway to the Abyss, guarded by the dragon-demon Choronzon lurking at the threshold separating the worlds of light and darkness. Sometimes the serpent represents the phallic force, and the dragon stands for the masculine fiery principle, like Typhon in his traditional depiction of a fearsome monster. But there are also many stories and legends which depict the dragon as explicitly female: Tiamat from the Babylonian Creation myth, or Lilith as the Serpent in the Garden of Eden. In others it is androgynous, like e.g. Ouroboros, representing timeless existence, continuity and eternal cycle of death and rebirth. This symbolism and attributions may be interpreted in many ways and incorporated into a personal initiatory system within the Draconian Tradition. The Path of the Dragon is chaotic, dynamic and often unpredictable, but is it possible to work with it through certain patterns and initiatory models that introduce the Initiate step by step into Draconian mysteries.
Mason, Asenath. Draconian Ritual Book (pp. 24-25). Kindle Edition.
The Symbolism of the Color Black:
Black is the absence of color, the negative of white.  For this reason, black is the color of primordial void, that which existed before the light.  Black possesses a mysterious sense of extinction, and it is considered the color of the night, where the unknown is manifest,  but black also represents the germinal state, the beginning sure to grow. The claim that black is universally associated with death, evil, and sickness seems at first,  but another look reveals that black has many other associations, such as fertility  and newly fertilized lands. In some parts of the Arab world, black is considered unlucky,  but black is also a symbol of power and authority, an emblem of the Caliphate, the first system of government established in Islam. As a color that seems indifferent, black encapsulates the mark of humility and respectability. In Ancient Egypt, black is the color of resurrection and eternal life,  associated with the mother goddess and fertility, especially in conjunction with red, or blood. In China, black represents the passive element Yin. Its opposite element, Yang, is bright yellow.  Though black is considered a color for young boys,  it remains a color of darkness and isn't usually worn as a primary color.  In the four primary directions, black is the color of the Dark Warrior,  depicted as a tortoise with an intertwined serpent.  The Dark Warrior symbolized the north direction, which, unlike the other directions, was never honored or worshipped. People feared it for being the home of the destructive ocean god.  The Dark Warrior's element is water, and in Wu Xing, the Five Elements of China, black is associated with the element water. To the Apache of North America, black symbolizes the West, where the sun sets.  Throughout parts of Western Europe, black symbolizes periods of mourning, funerals, and Halloween. In Feng Shui, black is associated with the element water and the passive yin. Black represents money or income, career, emotional protection, power, stability, and bruises. 
We attempt to distinguish these methods thAs it happens, Parks' virtual-reality memories are filled with information about the Oannes and Nommo amphibians, who are Abgal
originally from Sirius, and this is conveyed in both of his books to date, Le Secret des Etoiles Sombres and Ádam Genisiš. In the present section of his Neb-Heru appendix to Ádam Genisiš, Parks checks his memories against ancient legends and myths, and shows that the contact, if that is what it was, left much wider residue for us to consider. This is important not only in itself, but in its bearing on the Mulge / Mulge-Tab / Morning Star scenario, due to a major connection between the amphibious Abgal and the lost planet Mulge. The Egyptian term Abdju (Abydos) possesses a homophone whose sense is "fish". This sacred fish served as pilot of the solar bark of Râ. Its function was to warn the passengers of the bark of enemies sent by Seth. We have no difficulty in identifying the Abdju fish with a symbolic Horus or even better a reincarnated Osiris, while the Sumerian counterpart of Osiris is Enki who himself possessed the fish symbol. This fish that precedes the solar bark is evidently the planet Venus which today leads [at least it does sometimes] the course of the sun (Râ). We know that the fish equally represents Sirius, the Egyptians' other sacred star and the home of the amphibian Life Designers. Of course this reminds us of the aquatic beings called Nommos frequently mentioned in Ádam Genisiš. The Dogons affirm that the Nommos restored the world several times and that they transmitted to humanity such gifts as speech and grain. To the Sumerians the Nommos are the famous Abgal who follow Enki's directives. The Sumerian term Abgal translates to Apkallû in Akkadian, a designation for a sage and, as follows, a priest. Berossus, the Babylonian historian and priest of the Temple of Bel in Babylon brings us some details concerning an Abgal-Apkallû in a surviving fragment of his book The Babyloniaca, unfortunately lost in the meanderings of history. His descriptions are reminiscent of those of the Dogon. In Babylon there were many people of diverse origins who dwelled in Chaldee and lived lawlessly, like animals in the fields. In the first year there appeared a being that came out of the Erytheraeum Sea that runs parallel to Babylon. It said its name was Oannes and it was an animal gifted with reason. Its body seemed to be that of a fish. It had under its fish's head another head; it also had feet like those of a man, coming from its fish's tail. Its voice and language were human in their articulation. This representation has been conserved down to our time.rough the use of color-coded lines. We also (crudely) indicate the proportion of "Abgal" DNA -- from the evolutions of Sirius -- as this inheritance generally confers a high order of being. Naturally those who do not have it might disagree.
"The Kirišti are sons of the Stars, Kadištu emissaries working for the Source. They never dissociate Gissu (shadow) from Zalag (light), and they work where these energies are disunited. Their work is not easy; it often happens that they are directly confronted by beings who separate Gissu from Zalag and who worship only the darkness."
The story which you are going to read happened long time ago faraway place in the universe which was been impacted on our history of Earth. Many sources prove authenticity.
I didn’t add-up anything extra but re-edited the texts into more organized way too easy to comprehend. I am going to include more information when it comes to my notice.
Sources: “TERRA - a Hidden History of Planet Earth” by Robert Morning Sky.
“Alien World Order” by Len Kasten
“The Complete Earth Chronicles” by Zecharia Sitchin.
The history of Man and Earth presented by Bek'Ti (Star being) in 1960s is both exciting and frightening.
Far Away Galaxy called “Eridanus” (75 Million Light Years from Earth), on a Planet called “Green World”some Billions of Years ago:
A Reptilian Humanoid Race called KHEB may evolved from Dragonflies over millions of years or may evolved in Draco star system appeared fully developed or come from another Universe / Dimension or another time period.
THE 'SSS' (Reptilian) EMPIRE: ARI-AN (Orion star system) Queens are also known as SSS-T or NEKH-T Queens. They were cold-blooded warriors with frightening dragon-like faces. They weathered war and chaos to seize and retain a sizable portion of the Ninth Sector of the galaxy.
Queen Mother was called "Queen BI" while younger sitting queen was called "Queen AYA". 7 chosen daughters of the Queen are called "SSS-TT".Each Princess was known as "SSS-T-UR". The Divine Queen or her supreme majesty also known as "KHAR".
The Elite warriors guarding the Queen were known as “MAKH”. SAKH (death from Reptilian beings) are Reptilian administrators who conquer other Worlds. Reptilian people of Home or other worlds are called "SSS-B".
Reptilian species reproduces by laying eggs. Fertilized eggs (with semen from Male) become Females while Unfertilized eggs become Males.
THE 'ASA-RRR' (Wolfen or Feline) EMPIRE: In the Ninth Sector, the worlds of the RRR (far away in Sirius Star system, on a planet with 3 Suns n the Sky, one of which was massive star Canis major also known as Dog Star) would be known as 'ASA-RRR'. Led by the fearsome 'IKU' Warriors, a barbaric army with a fleet of deadly Starships of overwhelming fire-power, the Kings of ASA-RRR wreaked havoc on the worlds surrounding the Ninth Passageway. The IKU (The Elite Forces) and BEH (Warrior Ground Forces) of the Sirians became known as the 'DAK' or 'TAK', the 'Teeth' of the RRR.
Great Lords. "Fallen Angels". Book of Enoch: watchers. Bené Elohim (Sons of the Elohim). Those who coupled with human females without authorization of Yahvé (An-Enlil). Akkadian: Igigi. Male. Created (in great haste) by Sa'am and Mamitu-Nammu (see Personages) from Imdugud genes on which Abzu-Abba had been experimenting. Considered as Life Designers although no knowledge of cloning. Followers of Osiris and Horus. A Gina'abul rebel race
After knowing where I was in the stars, I finally figured out what exactly my inheritance with God was. And that is with the Levites.
Who were the Serpent Priests, what were their origins, and what does this have to do with Christianity? Quite a lot, as it turns out.
Let us begin this journey with the serpent. Worship of the serpent is thousands of years old, and in some “schools” of thought, predates history. The serpent was considered a lord of the waters, a symbol of “rebirth” through the sloughing of its skin, a phallic symbol; and of course the alchemical symbol Ouroboros, the snake eating its own tail, symbolizing infinity. In some mystery schools, the serpent god was the first to be encountered in the “test” of neophytes.
The texts that formed the Old Testament of the Bible, a foundation of Judaism and Christianity, were written after the Levite priesthood of the Hebrews were “held” in Babylon after 586BC. The early Hebrews worshipped the serpent god of the Sumer Empire and the Levites were called “Sons of the Great Serpent”. This serpent diety was named Ningishzida in Babylon. Originally, Ningishzida was a tree god. Now where have we heard this tree and serpent motif before? Ningishzida is portrayed as either a serpent with the head of a man, or, more frequently, as a double-headed serpent coiled into a double helix. The Hebrew’s rendition of Ningishzida, YHVH, was depicted as part human, part serpent, and their sacred book of esoteric (hidden) knowledge, the Kabbala, means “Serpent Wisdom”. The Levites worshipped YHVH as a dragon called Leviathan, hence the genesis of the name, Levite.
YHVH’s serpent form was also known as Nehushtan or “Brazen Serpent” by the Levites and they placed golden and brass images of this deity on the altars of Hebrew temples. Excavations have discovered bronze and copper serpent symbols in former Levite temples.
This brings us to the name Kohen. This means “priest” in Hebrew; and yes comes from the Levite tribe of snake priests and, in fact, the “K” is an ancient symbol used to denote serpent. Who was the first Kohen? Aaron, brother to Moses.
So, what does all this mean? It means these priests, Aaron chief among them, were initiates in the Mystery School of Babylon. There is no concrete evidence that a man names Aaron actually existed. That is of no real consequence, as Jews, Christians and even Muslims believe that he did. The priest class existed and still exists, with archeological evidence solidifying the claim.
The Archangel Sama(El):
(Bitter beverage, drug, poison, toxin, medicine, potion; perfume):
Thus when translated literally, can mean "the bitter beverage of God" or "the poison of God." This unique (albeit disquieting) name reveals the unique nature of this important angel in the hierarchies of the divine. Yet the name can equally be translated as "the perfume of God," or "the medicine of God." This dual nature is deeply meaningful and when fully investigated reveals many mysteries in the Judeo-Christian scriptures. Yet, one should not lose sight of the fact that, whichever way the name should be applied in context, it always carries within it אל "El" - OF GOD. This is not a force to be condemned, for it belongs to God.
Old, grey, a girl that says hey.
Afraid, laid, she abides by her terms.
Looking fun, she doesn't know where to turn.
Her soul then lost, it continues to burn.
Firm at the feet, stand up straight.
Her kundalini is off, it then begins to break.
Straight from the Pit, her shell is hallow.
Now she's got a fairy, who treads water, then swallows.
To release all doubt, relinquish your fears.
Pass the baton, the lonely girl says cheer.
And to the moon, and the stars, it is high tide.
And he thought Samael was a good guy.
Fly on the low, the bitch busy, it is choke hold.
She then does fold, her sexual demeanor bold.
Her life then vaps, her spirit then cold.
Time to make my exit, there's nothing else be told.